The Floreado, a Fictional History

I know that it's difficult to read very long from a computer, but I do not think I could shorten this post. I hope you can skim or read to the bottom, as the bottom is the most important part.

Alright, so this story may be imaginative and fictional, it's the story that I made up and I'm sticking to it if no one makes any corrections. There is a history someplace on Timbrado.com, and Hurtado also gives one and I suppose I should check them out, but my story will be an easy read, and it will make the points that I wish to make.

I am imagining the 15th century (?) With its ships and travel. Sometime during this period the Spanish noticed the beautiful canaries and noticed that they were easy to breed compared to other birds. If I have the story correct, the Spanish even had a monopoly because they were cool enough to sell males, and not females to Europe and abroad. I guess that broke down when some shipment or some such crashed, releasing female birds, but it probably would have happened anyway.

I would say that from the very beginning there was a group of enthusiasts in Spain that were interested completely in the song. As the canary can be "improved", individuals and groups probably very near to the beginning became interested in all the other possibilities -- things like size, color, shape, feather, perhaps someone may have invented a talking canary if that was possible! All these birds have their champions, and I shall not pursue them, as I am interested solely in the song, as many Spanish enthusiasts have been to this very day.

Just one sentence on this, there has been interest in the song in other countries also, so we have the German roller, which I believe, although never pursued story, that the German roller is a physical mutation, as it really doesn't even have a call note, and I have a feeling that they want to sing the notes of a typical canary but can't. Then, we also have the Belgian waterslagger, which seems to be somewhere in between what has been developed into a song of its own. OK, so I lied when I said one sentence. I want to move on.

As I've said, there have been groups of Spanish people from the very beginning organizing themselves into certain song preferences. Not always the same, but close enough to be considered one. We are talking here about the Spanish Timbrado, of course. Might interest. I brought my first Timbrado's about four years ago and noticed immediately that they have about four times more vocabulary than the typical canary. The typical canary sounds rather like a wind up machine to me then it sounds like a bird. I do like the typical canary, especially with a collection of birds, but I noticed right away that the Timbrado was the bird of my heart. I have been mixing them with wild carduelids and have been very, very happy. I have a DVD to show this, by the way. Unfortunately, the wild types have been an endless source of worry, and especially in America, there seems to be a life and death struggle with these birds as far as I can see.

This is not the end of the story, but is the beginning as I am perceiving. I think the Timbrado may have had some trouble being accepted as a breed of its own right, and a songbird at that, and I think that rather late with a first accepted as a breed of their own right. I don't know the date.

Now here's where the story may be somewhat fictional, and even and even if I get corrected, I shall keep this version, as it makes sense. I guess it took a while to agree on a standard Spanish Timbrado song. I am imagining that this has been accepted, and to this day is the classic Timbrado song. It is the song accepted into America. And the story good and here, BUT the most interesting part is yet to come. We will call this bird the classical Timbrado. It is the Timbrado that you will find in America right now. BUT ...

I can only imagine, because I have never been to Spain, and my version makes a lot of sense to me. Being the true expert's, these groups of Spanish breeders, the people who truly know the Timbrado from the inside out, perhaps rebelled against the classical Timbrado? Is this a group of rebels? I like rebels, anyway, and I have a T-shirt to prove it. I can only make up that a sizable portion of Spain has continued doing what they have always done -- raise the best singers. This is going on today, and the point of this blog is to see if a I can fit in here someplace. I am imagining that the classical Timbrado is not really the bird of choice to these rebels. There seems to be a split in the Timbrado country, and I have been so taken by this other group of canaries that I have planned to make a complete switch. I have learned a great deal in the last few months, and I hope I can pass it on to others. Of course we would need a new name, and there is one. These are called the Floreado type, and the interest in this very different song is called a discontinuance. To me it is VERY, VERY difficult, and I shall make up an entire blog as I go.

Also, as Timbrado.com says someplace, there is absolutely no reason why the two groups should split, and that there must be an allowance for both songs, as well as anywhere in between. As my previous post says, when we are in the aesthetic domain, argument is fruitless and learning is all. I myself am committed wholly to this Floreado type, but I realize that all matters in between are good and valuable.

It's difficult to read a long time on a computer, and I shall and here for today. By the way, if you check out nextup.com you can't find a text reader which will read anything on the screen, all day long. My Paul reads to me pretty much all day every day!
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